来自澳大利亚和世界各地的二十位艺术家为第24届悉尼双年展周泽翼博物馆带来了丰富的形式和视角。 mangala bai maravi正在为悉尼艺术学院的双年展创作新的艺术品。 该博物馆是今年悉尼双年展“万个太阳”的展览合作伙伴，该展览将于3月9日至6月10日举行。 这一合作伙伴关系为新南威尔士州带来了arthurbropho、almacattabut、parnelldempster、phillip-jackson、gregory-kelly、ediewallam和一群“曾经知名”的艺术家，他们是澳大利亚被偷走的一代儿童。 20世纪40年代，卡罗鲁普的儿童艺术家与来自西澳大利亚的数百名土著儿童一起被强行从家庭中带走，并在违背他们意愿的情况下被拘留在卡罗鲁普土著定居点。 在卡罗鲁普的11位儿童艺术家中，只有6位是通过名字来识别的，这使得分享这个故事对于识别“曾经已知”的儿童，将他们在世的后代与祖先的艺术作品联系起来非常重要。 悉尼双年展委托了四位艺术家的作品：mangala bai maravi（印度）常驻悉尼大学艺术学院，创作了一系列绘画作品，在更大范围内复制了她的民族白族的纹身传统。 位于印度中部的白加部落的妇女从九岁起就开始接受被称为godna的纹身。 这种长期存在的习俗与印度教神话有关，近年来由于白族的流离失所而受到威胁。 citra sasmita（印尼）将推出一个重要的新绘画装置，作为她正在进行的系列timur merah项目的一部分。 该项目由艺术家于2019年建立，重新定义了历史文本和文化材料，这些文本和材料客观化或省略了女性在巴厘岛社会中的角色。 萨斯米塔对传统神画的诠释将在三幅大型画布作品上呈现。 蔡家辉（新加坡/德国）正在展示一部视频作品《逃亡》，这是一个正在进行的项目“宇宙漫游”的一部分，探索亚洲的殖民、舞蹈和恍惚文化。 考虑到荷兰的“indorock”和印尼的“dolalak”恍惚舞蹈对印尼流行文化和流行音乐世界的影响，它对它们进行了实验。 2020-2021-21，丙烯酸和油画，301 x 546cm。 照片：马克·阿什卡纳西。 由艺术家和卡尔利·罗尔夫当代艺术提供，墨尔本。 ©juan davilaniño de elche&pedro g。 罗梅罗（西班牙）正在为第24届悉尼双年展创作一个声音装置，这是在对传统弗拉门戈音乐进行审视和重塑的合作基础上进行的。 结合德埃尔切作为一名康塔奥（弗拉门戈歌手）的训练和罗梅罗作为一名视觉艺术家和电影制作人的成就，两人将制作一张声音地图，描绘反太平洋的联系和古老的大帆船贸易路线。 在雪梨双年展的chau chak wing博物馆的其他作品是：诗人和艺术家diane burns（anishinaabe/chemehuev，美国，1956-2006）背诵节拍诗字母城市小夜曲的档案视频。 作为一名本土艺术家，伯恩斯在20世纪80年代成为下东区诗歌社区的一员。 为电视录制的字母城小夜曲否定了资本主义和中产阶级化对纽约市中心的影响，伯恩斯在那里生活和工作。 杨威廉摄影（澳大利亚），以描绘20世纪70年代末和80年代澳大利亚的酷儿场景而闻名。 经过50多年的实践，杨的剧目包括口语、幻灯片放映和音乐等戏剧表演。 马丁·王（美国，1946-1999）的画作，他是一位著名的反文化声音，在20世纪70年代、80年代和90年代编织了关于酷儿存在、边缘社区和城市绅士化的叙事。 王的实践融合了中国图像学、都市诗歌、尸体美学和手语。 它还借鉴了他密切参与的拉丁美洲社区。 胡安·达维拉（智利/澳大利亚）的绘画，他利用媒介来辩论美学、政治和性。 戴维斯借鉴了拉丁美洲、澳大利亚、欧洲和北美丰富多彩的历史。 悉尼大学（universityofsydney）博物馆与文化参与部主任迈克尔·达戈斯蒂诺（michaeldagostino）表示：“作为悉尼最具全球性的视觉艺术活动的首次合作伙伴，我们非常自豪能将如此多元化的艺术家带到博物馆。”。 “该博物馆于2020年开放，旨在更好地维护和展示悉尼大学的大量藏品，同时举办最高水平的国家和国际展览。 我们相信，我们的合作伙伴关系将进一步建立周泽翼博物馆，作为悉尼文化景观的重要组成部分。 “该博物馆是今年悉尼双年展的七个举办地之一，与之并列的还有新南威尔士美术馆、悉尼歌剧院、白湾发电站、坚定不移的画廊、当代艺术和艺术空间博物馆。twenty artists from australia and around the world bring a breadth of formats and perspectives to the chau chak wing museum for the 24th biennale of sydney.mangala bai maravi is creating new artworks for the biennale at sydney college of the arts.the museum is an exhibition partner at this year’s biennale of sydney, ten thousand suns, which runs from 9 march until 10 june.the partnership brings to new south wales arthur bropho, alma cuttabut, parnell dempster, phillip jackson, gregory kelly, edie wallam and a group of ‘once known’ artists, australian stolen generation children presented by the carrolup centre for truth-telling. the carrolup child artists were forcibly removed from their families and detained against their will at the carrolup native settlement in the 1940s, along with hundreds of aboriginal children from across western australia. only six of the eleven carrolup child artists are identified by name – making the sharing of this story so important in identifying the ‘once known’ children to connect their living descendants with their ancestor’s artwork.works by four artists have been commissioned by the biennale of sydney:mangala bai maravi (india) is in residence at the university of sydney college of the arts, working on a series of paintings that replicate the tattooing traditions of her ethnic group, the baiga, on a larger scale. women of the baiga tribe, based in central india, receive tattoos known as godna from as young as nine. the longstanding practice has ties to hindu mythology and has come under threat in recent years due to the displacement of the baiga people. citra sasmita (indonesia) will present a major new painting installation as part of her ongoing series, the timur merah project. established by the artist in 2019, the project reframes historical texts and cultural materials which objectify or omit the role of women in balinese society. sasmita’s interpretation of traditional kamasan paintings will be rendered on three large scale canvas works. choy ka fai (singapore/germany) is presenting a video work, exodus, part of an ongoing project, cosmicwander, exploring coloniality, dance and trance culture in asia. it experiments with ‘indorock’ of the netherlands and the indonesian trance dance of ‘dolalak’, considering their influence on indonesian pop culture and the world of pop music. 2020, 2020-21, acrylic and oil on canvas, 301 x 546cm. photo: mark ashkanasy. courtesy the artist and kalli rolfe contemporary art, melbourne.© juan davilaniño de elche & pedro g. romero (spain) are creating a sound installation for the 24th biennale of sydney, building on a collaboration which examines and reframes traditional flamenco music. combining de elche’s training as a cantaor (flamenco singer) and romero’s accomplishments as a visual artist and filmmaker, the duo will produce a ‘map’ of sound that charts antipodean connection and old galleon trade routes. other works at the chau chak wing museum for the biennale of sydney are:an archival video of poet and artist diane burns (anishinaabe/chemehuev, usa, 1956-2006) reciting her beat poem alphabet city serenade. an indigenous artist, burns became a member of the lower east side poetry community in the 1980s. recorded for television, alphabet city serenade repudiates the effects of capitalism and gentrification on downtown new york city, where burns lived and worked. photography by william yang (australia), known for his depictions of australia’s queer scene in the late 1970s and 1980s. with a practice spanning more than five decades, yang’s repertoire includes theatre performances using spoken word, slide projection and music. paintings by martin wong (usa, 1946-1999), a renowned countercultural voice who wove narratives of queer existence, marginal communities and urban gentrification during the 1970s, 80s and 90s. wong’s practice merged chinese iconography, urban poetry, carceral (relating to prison) aesthetics and sign language. it also drew on the latin american community he was closely involved with. paintings by juan davila (chile/australia), who uses the medium to debate aesthetics, politics and sexuality. davila draws on the rich and varied histories in latin america, australia, europe and north america. “we’re incredibly proud to bring such diverse artists to the museum as a first-time partner to sydney’s most global visual arts events,” said michael dagostino, director of museums and cultural engagement at the university of sydney. “the museum opened in 2020 with the intention of better maintaining and displaying the university of sydney’s vast collections but also to host national and international exhibitions of the highest calibre. we’re confident our partnership will further establish the chau chak wing museum as an important part of sydney’s cultural landscape.”the museum is one of seven locations hosting this year’s biennale of sydney, alongside the art gallery of new south wales, sydney opera house, white bay power station, unsw galleries, the museum of contemporary art and artspace.本文来源： 周泽荣博物馆宣布举办悉尼艺术家双年展
亲，点击此处在线申请留学咨询服务和报名评估！我们将竭诚提供最佳评估服务！
