跳过旋转木马沃尔特·胡德，罗斯图书馆馆长珍妮弗·冈特·金和总裁格雷戈里·l。 芬维斯查阅了一些档案资料，这些资料将有助于胡德设计工作室更深入地了解埃默里的历史。 胡德设计工作室的创始人兼创意总监walterhood表示，在emory完成的设计工作“将尊重人们记忆的不同方式”。 沃尔特·胡德（左五），rev。 avis williams 78ox 98c 08t 18t（胡德旁边）和牛津大学院长badia ahad（最右边）欢迎与牛津后代社区的讨论。 此前，在选择了备受赞誉的胡德设计工作室来创建埃默里的双纪念馆后，沃尔特·胡德和他的团队参观了亚特兰大和牛津大学的校园，这将纪念该大学历史上被奴役的人。 受到格雷戈里总统的欢迎。 芬维斯和参与该项目的一群热情的社区成员，胡德工作室的创始人和创意总监以及他的工作人员都是双胞胎纪念馆项目团队与stuart a合作举办的活动的嘉宾。 玫瑰手稿、档案和珍本图书馆。 当天上午，图书馆工作人员收集了与埃默里历史这一方面有关的各种档案材料。 “这对埃默里来说是一个重要的时刻，”芬维斯在10月10日说。 17事件，指出纪念被奴役者的双纪念碑“是一个在纪念馆讨论和思考了多年的概念。 回忆起2020年8月他开始在埃默里任职时，这个概念是如何引起他的共鸣的，芬维斯补充道：“这是一个重要的、早该得到的认可，是为这一代人和子孙后代记住、教导和治愈的重要方式。”。 在介绍胡德之前，芬维斯描述了他和妻子卡梅尔参观位于南卡罗来纳州查尔斯顿的国际非裔美国人博物馆的情景，胡德团队在那里设计了博物馆的景观建筑。 芬维斯反思了胡德和他的团队在那里所呈现的复杂性和情感共鸣：“反映人物形象的水，船只卸下奴隶的码头的轮廓，当地的草，带徽章的格子架，这提醒我们奴隶可以被出租。 胡德在讲话开始时说：“我们想一起创造这段旅程。”。 他强调，他的工作室的工作不是建造纪念碑，而是探索记忆的概念。 胡德引用了“觉醒”的概念，这个概念有几个寄存器，包括船后面的路径，观察死者和苏醒过来，他说：“记忆的想法对我们的工作室来说是一个非常强大的想法。 我们生活在觉醒中。 觉醒意味着我们必须记住，但我们必须前进。 我们如何创造一个空间，让我们能够回到并真正理解我们正在一起踏上这段旅程？这就是这个项目的承诺。 希望我们能走到一起，这是我们无法想象的。 牛津大学新任院长欢迎该项目牛津大学学院院长巴迪娅·阿哈德感人地结束了会议，从她作为院长、非裔美国人文学和文化学者以及祖先是阿拉巴马州利文斯顿奴隶的非裔美国人的角度，对该项目提供了一个分层的视角。 阿哈德指出：“在我开始担任牛津学院院长之际，我很荣幸能承担这个了不起的项目。”。 她讲述了她在八年级时完成的一项为期一年的学校作业，即构建家族史。 起初，她很热情，她说她“越来越讨厌这个项目，为我的家谱如此稀少而感到羞愧”。 我能讲什么故事呢？”关键是要更好地了解她的祖母。 “像大多数13岁的孩子一样，”阿哈德说，“我有80%的自我和20%的水分，所以我很自然地认为我的祖母是理所当然的。”。 “在她祖母的餐桌旁度过了几个星期，”我认识了安妮·洛。 我逐渐明白，她的故事确实和我的同龄人一样丰富而宏大，他们的家族历史可以追溯到詹姆斯镇及其他地方。 她继续说道：“关于非裔美国人历史的故事太多了，档案馆永远无法保存。”。 “有了这两座纪念馆，我们就有了纪念、和解、反思、治愈和纪念被奴役者的生命和遗产的空间，他们建立了我们自由占据和享受的机构。 通过这种方式，我们深切地关注着摆在我们面前的道路，也许他们永远无法想象。 胡德和他的团队随后前往牛津学院，与一群被奴役者的后代私下会面。 社区投入的问题双纪念馆的概念设计阶段，也将导致两个校区的最终选址，将持续到春季。 当胡德和他的团队开始与emory社区接触时，他们可以回顾2022年进行的26次聆听会的评论，这些聆听会涉及225多名后代、管理人员、学生、教职员工、校友和社区合作伙伴。 这一意见被记录在双纪念馆工作组的参与报告中。 胡德设计工作室在埃默里组织自己的参与会议时，计划采用他们称之为“mapps”的组织原则。 材料：哪些物体、元素、材料和颜色应该用于纪念？活动：为了保持遗址的精神，有哪些项目需要保存，有哪些传统需要认可，有哪些新活动需要介绍？地点：哪些地点具有特殊意义，哪些相关/社区地点很重要？人们：哪些名字值得纪念，哪些人值得尊敬，哪些社区值得庆祝？故事：要提升的叙事、要庆祝的人、要记住的关键时刻和要包含的档案来源是什么？自8月底宣布选择胡德设计工作室以来，该团队已经与亚特兰大和牛津校区的175名后代、教职员工和学生进行了虚拟和面对面的交流，并计划举办更多会议，包括12月9日为校友举办的会议。 twelve。skip carouselwalter hood, rose library director jennifer gunter king and president gregory l. fenves look over archival materials that will help hood design studio more thoroughly understand emory’s history. walter hood, founder and creative director of hood design studio, says that the design work done at emory “will respect the different ways people remember.” walter hood (fifth from left), rev. avis williams 78ox 98c 08t 18t (next to hood) and oxford dean badia ahad (far right) welcomed discussion with oxford’s descendant community. previousnextfollowing the selection of the acclaimed hood design studio to create emory’s twin memorials, which will honor enslaved persons who were part of the university’s history, walter hood and his team visited the atlanta and oxford college campuses.welcomed by president gregory l. fenves and an enthusiastic contingent of community members involved with the project, hood the studio’s founder and creative director and his staff were guests at an event hosted by the twin memorials project team in partnership with the stuart a. rose manuscript, archives, and rare book library. on view that morning were a variety of archival materials that library staff had assembled pertaining to this aspect of emory’s history.“this is an important moment for emory,” fenves said during the oct. 17 event, noting that twin memorials to honor the enslaved “is a concept that has been discussed, and thought through, at emory for many years.” recalling how the concept resonated with him when he began his tenure at emory in august 2020, fenves added: “it is an essential, long-overdue recognition, a crucial way to remember, teach and heal for this generation and generations to come.” staying ‘in the wake’ before introducing hood, fenves described a visit that he and his wife, carmel, made to the international african american museum in charleston, south carolina, where the hood team designed the museum’s landscape architecture. fenves reflected on the complexity and emotional resonance of what hood and his team rendered there “the water reflecting human figures, the outline of the wharf where ships unloaded the enslaved, the native grasses, the trellises with badges, which was a reminder that the enslaved could be rented out.”in his remarks, hood began by saying, “we want to create this journey together.” the work of his studio, he emphasized, is not about making monuments but instead exploring the idea of memory. invoking the concept of “the wake” which has several registers, including the path behind a ship, keeping watch with the dead and coming to consciousness hood said: “the idea of memory is a very powerful one for our studio. we live in a wake. and the wake means that we have to remember but we have to go forward. how do we create a space that we can return to and actually understand that we are on this journey together? that is the promise of this project. hopefully, we can get somewhere together that we could not have imagined.”oxford’s new dean welcomes the projectoxford college dean badia ahad movingly closed the session, providing a layered view of the project from her perspectives as dean, as a scholar of african american literature and culture, and as an african american whose ancestors were enslaved persons in livingston, alabama. “it is a privilege to take on this remarkable project as i begin my tenure as dean of oxford college,” ahad noted.she related a year-long school assignment, to construct a family history, that she had in the 8th grade. initially enthusiastic, she said that she “grew to resent the project, ashamed that my family tree was so sparse. what story could i possibly tell?” the key was getting to know her grandmother better. “like most 13-year-olds,” ahad said, “i was 80% ego and 20% water, so naturally i took my grandmother for granted.”over weeks spent at her grandmother’s kitchen table, “i got to know annie lowe. i came to understand that her stories were indeed as rich and as grand as those of my peers who could trace their family histories to jamestown and beyond.”“there are so many stories of the african american historical past that the archive will never hold,” she continued. “with the twin memorials, we have the space to remember, to reconcile, to reflect, to heal and honor the lives and legacies of enslaved persons who built the institution that we freely occupy and enjoy. in this way, we hold in deep regard the path that lay before us that perhaps they could never have envisioned.”hood and his team then headed out to oxford college to meet privately with a group of descendants of the enslaved.questions for community inputthe twin memorials concept-design phase, which will also result in final site selection on both campuses, will continue through spring. as hood and his team begin their engagement with the emory community, they have the benefit of reviewing comments from 26 listening sessions involving more than 225 descendants, administrators, students, faculty, staff, alumni and community partners conducted in 2022. that input is captured in the engagement report of the twin memorials working group.in organizing its own engagement sessions at emory, hood design studio plans to use an organizational principle that they have dubbed “mapps.”materials: which objects, elements, materials and colors should be used for memorialization?activities: what programs are there to preserve, traditions to recognize, new activities to introduce for maintaining the spirit of the sites?places: which locations have special meaning and what related/community sites matter?people: what are the names to remember, people to honor and communities to celebrate?stories: what are the narratives to elevate, people to celebrate, pivotal moments to remember and archival sources to include?already, since the announcement of the selection of hood design studio at the end of august, the team has connected with 175 descendants, faculty, staff and students on the atlanta and oxford campuses virtually and in-person, with more sessions planned, including one for alumni on dec. 12.亲，点击此处在线申请留学咨询服务和报名评估！我们将竭诚提供最佳评估服务！
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